Just as the slave-owning Christians of Venice would refuse to set their human property free, Shylock will not relinquish the pound of flesh that belongs to him. The trial is not modeled on the English legal system.
In it, Bellario writes that he is ill and cannot come to court, but that he has sent the learned young Balthasar to judge in his stead. Shakespeare tightens the tension when Antonio tells Bassanio that reasoning with Shylock is pointless: Bassanio, who has arrived from Belmont, attempts to argue with Shylock, but Antonio tells him that his efforts are for naught.
After Antonio gives his poignant speech as he is prepared to die, Shakespeare uses irony and an element of humour to stall the build up of tension. Meanwhile, Bassanio tries, without much success, to cheer up the despairing Antonio. Shylock was adamant in his resolve because of which a sort of conflict brewed up between justice and mercy.
The only answer that the court gets, ultimately, is that Shylock merely emulates Christian behavior. Shakespeare cleverly builds up the tension, and creates suspense in the scene to keep the audience on edge.
She also told him that it was written in the laws of Venice that if a non-resident proved that the justice demanded by him attempted to seek the life of any citizen, then, all his wealth would be confiscated and divided between the accused party and public treasury of the state.
Shylock hates Antonio, and for him that is reason enough. He controls the tension of the court scene to add to the enjoyment of the play. In the Elizabethan times a Christian audience would be worried for Antonio as they prepare for his death and would be angered to see the impatience of Shylock as he sharpens his knife which implies that he is becoming increasingly eager and inhumane with this revenge.
There is also sense of relief at the end as the audience have been building up to the trial scene throughout the whole play, as it was the climax of the play the audience are now more relaxed as there is less suspense.
Shakespeare uses pathos in this scene to allow the audience to hold a heartfelt sympathy towards Shylock as now the rest of the court including Portia are being irrational and merciless.
News comes that a messenger has arrived from Bellario, and Salarino runs off to fetch him. Shakespeare also creates tension using repetition, Antonio says: Portia is implying that the quality of mercy is heavenly and that the best course of justice for Shylock would be to have mercy.
His speech about slavery is emphatically not an antislavery diatribe: These points would seem to stack the deck against Shylock, but if the trial is not just, then the play is not just, and it ceases to be a comedy.
Shylock is a solitary figure as he is entering a trial where he is surrounded by Christians that despise him. Shylock whets his knife, anticipating a judgment in his favor, and Gratiano accuses him of having the soul of a wolf.
So can I give no reason, nor I will not, More than a lodged hate and a certain loathing I bear Antonio, that I follow thus A losing suit against him.
In the end, however, the conflict was resolved by kind of fooling justice in its own language. He is becoming elated with the reality of revenge and is happy that he is being told that he is finally allowed to claim the pound of flesh. This presentation of Shylock makes the viewer pity and sympathise with him as we observe his desperate frustration with the situation, we view him as a tragic figure as his extreme desire for revenge has resulted in a life of grief and depression.
Bassanio offers Shylock six thousand ducats, twice the amount of the original loan, but Shylock turns down the offer, saying he would not forfeit his bond for six times that sum. The duke then reads the letter in its entirety. Shylock describes the bond: Gratiano shouts and curses with anti-Semitic energy, Bassanio pleads uselessly, and Antonio seems resigned to his fate.
The film also demonstrates Shylock merciless character; Shylock watches the money drop, meanwhile the viewer questions if he will go for the money or not, but Shylock stays stubborn, he is set on claiming his revenge. Hatred and predation, Antonio suggests, come as naturally to some men as they do to the wolf.
Christians were extremely prejudiced towards Jews at the time so they would not sympathise with Shylock as he loses everything. His response to a reasonable request for a surgeon is: However Shylock is utterly unmoved by her speech: Essay There is more dramatic tension as Shylock stays unsympathetic and stubborn as he shows no mercy with his responses to his questioners: They use his religion to isolate him; the duke calls for Shylock to enter the court: No one, the duke says, believes that Shylock actually means to inflict such a horrible penalty on Antonio, who has already suffered the loss of his ships.
Shylock has the law on his side, and his chief emotion seems to be outrage that Christian Venice would deny him what is rightfully his.
The duke presides and sentences, but a legal expert—in this case, Portia—renders the actual decision.Kimberley Williamson “The Merchant of Venice” Analyse how ONE main character’s attempts to solve a problem were important to the text as a whole.
- The Trial Scene in The Merchant of Venice Written between and "The Merchant of Venice" is not one of the most performed plays written by William Shakespeare.
The play is classed as one of the sixteen comedy plays and most productions often use modern times and dress. A summary of Act IV, scene i, lines 1– in William Shakespeare's The Merchant of Venice. Learn exactly what happened in this chapter, scene, or section of The Merchant of Venice and what it means.
Perfect for acing essays, tests, and quizzes, as well as for writing lesson plans. 【 How does Shakespeare create tension in the trial scene of the Merchant of Venice Essay 】 from best writers of Artscolumbia Largest assortment of.
Trial Scene Merchant of Venice At the court of law in Venice, the Duke, Antonio, Bassanio, Salerio, Graziano, and various notable. - The trial scene in the Merchant of Venice is the climax of the play as Shylock has taken Antonio to court, as he has not paid back the money he borrowed.
Shylock wants the pound of flesh that is the forfeit of the bond concerning .Download